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JBL hi-fi system EON ONE MK2

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User’s Guide

CONTENTS

Safety Instructions ...................................................................................................................................4

Precautions .............................................................................................................................................. 6

Declaration of Conformity ......................................................................................................................... 7

Intro to EON ONE MK2 8 .............................................................................................................................

Block Diagram ....................................................................................................................................... 10

Application Examples ............................................................................................................................. 11

Mixer Panel ............................................................................................................................................ 14

Mixer Panel Functions ............................................................................................................................ 15

EasyNav LCD ......................................................................................................................................... 18

App ........................................................................................................................................................28

Optional Accessories .............................................................................................................................. 29

EON ONE MK2 Specications ................................................................................................................ 30

Cables & Connectors .............................................................................................................................. 31

Contact Information ............................................................................................................................... 32

Warranty Information .............................................................................................................................33

The EON ONE MK2 system covered by this manual is not intended for use in high moisture environments. Moisture can damage the speaker

cone and surround and cause corrosion of electrical contacts and metal parts. Avoid exposing the speakers to direct moisture.

Keep speakers out of extended or intense direct sunlight. The driver suspension will prematurely dry out and nished surfaces may be

degraded by long-term exposure to intense ultra-violet (UV) light. The EON ONE MK2 system can generate considerable energy. When placed

on a slippery surface such as polished wood or linoleum, the speaker may move due to its acoustical energy output. Precautions should be

taken to assure that the speaker does not fall off a stage or table on which it is placed.

HEARING DAMAGE, PROLONGED EXPOSURE TO EXCESSIVE SPL

The EON ONE MK2 system is capable of generating sound pressure levels (SPL) sufcient to cause permanent hearing damage to

performers, production crew, and audience members. Caution should be taken to avoid prolonged exposure to SPL in excess of 85 dB.

CARE & CLEANING

EON ONE MK2 systems may be cleaned with a dry cloth. Do not allow moisture into any of the openings in the system. Ensure that the

system is unplugged from the AC outlet before cleaning.

THIS APPARATUS CONTAINS POTENTIALLY LETHAL VOLTAGES. TO PREVENT ELECTRIC SHOCK OR HAZARD, DO NOT REMOVE CHASSIS,

MIXER MODULE, OR AC INPUT COVERS. NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

WEEE Notice

The Directive 2012/19/EU on Waste Electrical and Electronic Equipment (WEEE), which entered into force as European law

on 14/02/2014, resulted in a major change in the treatment of electrical equipment at end-of-life.

The purpose of this Directive is, as a rst priority, the prevention of WEEE, and in addition, to promote the reuse, recycling

and other forms of recovery of such wastes so as to reduce disposal. The WEEE logo on the product or on its box indicating

collection for electrical and electronic equipment consists of the crossed-out wheeled bin, as shown below.

This product must not be disposed of or dumped with your other household waste. You are liable of dispose of all your electronic or electrical

waste equipment by relocating over to the specied collection point for recycling of such hazardous waste. Isolated collection and proper

recovery of your electronic and electrical waste equipment at the time of disposal will allow us to help conserving natural resources.

Moreover, proper recycling of the electronic and electrical waste equipment will ensure safety of human health and environment. For more

information about electronic and electrical waste equipment disposal, recovery, and collection points, please contact your local city center,

household waste disposal service, shop from where you purchased the equipment, or manufacturer of the equipment.

RoHS Compliance

This product is in compliance with Directive 2011/65/EU and (EU) 2015/863 of the European Parliament and of the Council of 19.

31/03/2015 on the restriction of the use of certain hazardous substances in electrical and electronic equipment.

REACH

REACH (Regulation No 1907/2006) addresses the production and use of chemical substances and their potential impacts on human health

and the environment. Article 33 (1) of REACH Regulation requires suppliers to inform the recipients if an article contains more than 0.1% (per

weight per article) of any substance(s) on the Substances of Very High Concern (SVHC) Candidate List (‘REACH candidate list’).

This product contains the substance ‘’lead’’ (CAS-No. 7439-92-1) in a concentration of more than 0.1% per weight.

At the time of release of this product, except for the lead substance, no other substances of REACH candidate list are contained in a

concentration of more than 0.1% per weight in this product.

Note: on June 27, 2018, lead was added to the REACH candidate list. The inclusion of lead in the REACH candidate list does not mean that

lead-containing materials pose an immediate risk or results in a restriction of permissibility of its use.

SAFETY INSTRUCTIONS

1. READ these instructions.

2. KEEP these instructions.

3. HEED all warnings.

4. FOLLOW all instructions.

5. DO NOT use this apparatus near water.

6. CLEAN ONLY with dry cloth.

7. DO NOT block any ventilation openings. Install in accordance with the manufacturer’s instructions.

8. DO NOT install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including ampliers) that produce

heat.

9. DO NOT defeat the safety purpose of the polarized or grounding type plug. A polarized plug has two blades with one wider than the

other. A grounding type plug has two blades and a third grounding prong. The wider blade or the third prong are provided for your

safety. If the provided plug does not t into your outlet, consult an electrician for replacement of the obsolete outlet.

10. PROTECT the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point where they

exit from the apparatus.

11. ONLY USE attachments/accessories specied by the manufacturer.

12. USE ONLY with a cart, stand, tripod, bracket, or table specied by the manufacture, or sold with the apparatus. When a cart

is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

13. UNPLUG this apparatus during lightning storms or when unused for long periods of time.

14. REFER all servicing to a qualied service personnel. Servicing is required when the apparatus has been damaged in any way, such

as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been

exposed to rain or moisture, does not operate normally, or has been dropped.

15. DO NOT expose this apparatus to dripping or splashing and ensure that no objects lled with liquids, such as vases, are placed on the

apparatus.

16. To completely disconnect this apparatus from the AC Mains, disconnect the power supply cord plug from the AC receptacle.

17. Where the mains plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.

18. DO NOT overload wall outlets or extension cords beyond their rated capacity as this can cause electric shock or re.

19. For adequate ventilation, do not install this equipment in a condent or enclosed space, such as a book case or similar unit. Product

ventilation should not be impeded by covering the ventilation openings with items such as newspaper, tablecloths, curtains, etc.

The exclamation point, within an equilateral triangle, is intended to alert the user to the presence of important operating and

maintenance (servicing) instructions in the literature accompanying the product.

The lightning ash with an arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of

uninsulated “dangerous voltage” within the product’s enclosure that may be sufcient in magnitude to constitute a risk of electrical

shock to persons.

WARNING: To reduce the risk of re or electrical shock, do not expose this apparatus to rain or moisture.

WARNING: No naked ame sources – such as lighted candles –should be placed on the product.

WARNING: Equipment shall be connected to a MAINS socket outlet with a protective earthing connection.

WARNING: This product is intended to be operated ONLY from the voltages listed on the back panel. Operation from other voltages other

than those indicated may cause irreversible damage to the product and void the product’s warranty. The use of AC Plug Adapters is cautioned

because it can allow the product to be plugged into voltages in which the product was not designed to operate. If you are unsure of the

correct operational voltage, please contact your local distributor and/or retailer. If the product is equipped with a detachable power cord, use

only the type provided, or specied, by the manufacturer or your local distributor.

OPERATING TEMPERATURE RANGE: -20ºC - 40ºC (-4ºF - 104ºF)

WARNING TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE.

RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

WARNING: Do Not Open! Risk of Electrical Shock. Voltages in this equipment are hazardous to life. No user-serviceable parts inside. Refer

all servicing to qualied service personnel.

Place the equipment near a main power supply outlet and make sure that you can easily access the power breaker switch.

WARNING: Batteries (battery pack or batteries installed) shall not be exposed to excessive heat such as sunshine, re or the like.

CAUTION: Danger of explosion if battery is incorrectly replaced. Replace only with the same or equivalent type. Please dispose of any used

batteries properly, following any local regulations. Do not incinerate..

WARNING: DO NOT EXPOSE BATTERIES OR BATTERY PACK TO EXCESSIVE HEAT, SUCH AS THAT FROM OPEN FLAMES, DIRECT SUNSHINE, ETC.

CAUTION: DANGER OF EXPLOSION IF BATTERY IS INCORRECTLY REPLACED, REPLACE ONLY WITH THE SAME OR EQUIVALENT TYPE.

DO NOT UNDER ANY CIRCUMSTANCES OPERATE THE UNIT WITH THE WRONG VOLTAGE SELECTED. DOING SO MAY RESULT IN SERIOUS

DAMAGE TO YOUR PA SYSTEM WHICH WILL NOT BE COVERED BY WARRANTY.

FCC AND CANADA EMC COMPLIANCE INFORMATION: This device complies with Part 15 of the FCC Rules. Operation is subject to

the following two conditions

1. This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that

may cause undesired operation.

CAUTION: Changes or modications not expressly approved by the manufacturer could void the user’s authority to operate this device.

NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC

Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment

generates uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions,

may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular

installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the

equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Reorient or relocate

the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different

from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician for help.

CAUTION: This product is for non-residential use only.

WARNING: This equipment is compliant with Class B of CISPR 32. In a residential environment this equipment may cause radio

interference.

CAN ICES-003(B)/NMB-003(B)

Protective earthing terminal. The apparatus should be connected to a mains socket outlet with a protective earthing

connection.

PRECAUTIONS

INTRO TO EON ONE MK2

GETTING STARTED

Congratulations on your purchase of JBL Professional EON ONE MK2 loudspeakers! We know you are anxious to get up and

running as fast as possible, which is why you are reading this section. The following will help you get set up as soon as possible.

Packaging Contents

Your EON ONE MK2 should include:

• (1) EON ONE MK2 Woofer Cabinet

• (1) EON ONE MK2 Battery Spacer

• (1) EON ONE MK2 Column Spacer

• (1) EON ONE MK2 Linear Array

• (1) 6’ (2m) AC Power Cable

• (1) Quick Start Guide

Unboxing

2 3

Open unit, pull AC

cable from top box

and remove

Open plastic to expose

woofer handle

Remove woofer

321.07

P.A. BASICS

A mixing board is actually a very simple device that takes the audio input signals (from the input channels) and “mixes” them to

the outputs. The mixing board controls will typically enable the user to blend the input channel signal levels, affect their tone,

and adjust each channel’s reverb level. The signal is then fed from the mixing board to the ampliers and onto the speakers. The

EON ONE MK2 is a self-contained PA system, which includes a mixing board, ampliers, and speakers.

GETTING ACQUAINTED WITH EON ONE MK2

The powered mixer section of the EON ONE MK2 system houses the mixing board and power amplifier. Here, all of the

microphones, musical instruments, and external sound sources (such as MP3 players, CD players, or Bluetooth audio

sources) can be connected.

SETTING UP

How to set up

• Plug battery spacer into woofer

• If column spacer is desired, plug column spacer into

battery spacer.

• Plug Linear Array into Column Spacer

• Turn on AC Power

How to turn on/off

• Turn on unit by short pressing the power button until the

LCD res on

• Turn off the unit by HOLDING power button for 3s until

unit turns off

Bottom View Front View Left View Rear View

600

490

325

Linear Array

Column

Spacer

Battery Spacer

Woofer

321.07

BLOCK DIAGRAM

ACOUSTIC DISPERSION

EON ONE MK2

MIXER PANEL FUNCTIONS

C. Main Volume / Menu Encoder

Controls LCD Display

• Rotary encoder: In Menu - Clockwise down menu/Anti-clockwise up menu

• Press to select menu item

• + On Home screen, Main Level increase by rotating the knob clockwise.

+ On Home screen, Main Level decrease by rotating the knob counterclockwise. Main encoder with detent: 70+/-40gf.cm

D. Limit LED

Amplier is reaching clip.

E. Multifunction CH Volume

EON ONE MK2 has 2 unique operation modes of the mixer which can be toggled holding the back button for 2 seconds by

pressing a specic channel rotary:

• Mix Mode

• Channel Strip mode

F. Multifunction CH LED’s

Channel level represented by colors

Channel Strip Mode: Denotes the selected channel

For SSM signal detection information, please see SSM section.

G. Power Button

The Power Button is a momentary push button. It is used to toggle the unit between the On and Off states. When in the

Off state, a short press and release of the Power Button will put the unit into the On state. When in the Sleep state, a

press and hold of >2s.

H. USB Ports

• USB Type-A

• Standard USB2.0 Type-A port

• Connecting with device: Charging 2.0 (x2 USB)

I. 1/4” Balanced Pass Thru

This 1/4” Balanced output connector provides a method of sending audio out to an external source. If signal is present on all inputs,

the inputs will be summed and sent out as a mix: Can be adjusted in the pass through menu section.

J. 3 Combo XLR-1/4” Inputs

Three female XLR – 1⁄4” combination connectors (1 for each input) are used for the analog audio inputs.

K. 6.3mm Input

One female 6.3mm connectors (1 for each input) are used for the analog audio inputs.

L. 3.5mm Jack

Two channel single ended input, mono mixed as a single mixed channel.

M. Power Inlet

Inlet adapter for A/C power cable

CH 1-2

• Phantom Power disclaimer

When using condenser microphones, +48V phantom power is required to be present at the contacts of the

microphone (XLR) connector for the microphone to operate correctly. When phantom power is enabled, it is applied

to both the CH1 and CH2 XLR inputs. Ensure that phantom power is off when not required.

To prevent damage to the EON ONE MK2 or external devices when using condenser microphones, always turn down all

EON ONE MK2 output controls and ensure the +48V phantom power is off before connecting the microphone. Once the

condenser microphone has been connected, enable the +48V phantom power, then raise the output controls to the desired

levels.

1. The EON ONE MK2 offers user-selectable phantom power on both channels 1 and 2, turned on via the LCD or

the APP.

a. To engage phantom power, press the knob for CH1 or CH2 to open the Channel Menu.

b. Navigate to Phantom Power and press the Main/Menu knob.

Knobs and Functions

The EON ONE MK2 comes equipped with push-button rotaries to make for easy navigation and hardware usage.

1. A single press of a Channel knob will activate CHANNEL STRIP MODE for that channel.

a. Please see the section on CHANNEL STRIP MODE for more clarity.

2. Pressing and holding a CH knob for 2s at any time will mute that channel. Channel LED below muted channel will

slowly ash RED.

3. A single press of the MAIN/MENU knob will open up the main menu, unless you are in a channel menu screen.

In channel menu screens, the MAIN/MENU knob controls your main navigation through these screens.

4. Pressing and holding the MAIN/MENU for 2s while on the home page will mute the SPEAKER.

I/O

. Presets assist new users wanting to try quick examples of often-used reverb setting

combinations.

. The user can select “Custom” and adjust all the settings themselves. Or they can start with

one of the location description presets, listen, and then add any settings adjustments, which

automatically load the new combination of settings into the “Custom” setting for further

adjustments.

. Custom

. Room Small

. Room Medium

. Room Medium Bright

. Room Large

. Hall Medium

. Hall Medium Bright

. Hall Large

iv. The combination of “Size” and “Pre-delay Time” dene the reverb simulation in just two controls;

how big the room is (Size) and how far away the audience member feels they are in regard to the

performers.

. Size adjusts the theoretical size of the simulated room in short, medium, long or longer.

. Pre-delay simulates the ratio of time from the source signal to the listener to the delay of the

rst reection off the closest wall.

. A shorter pre-delay time will make the audience feel farther away from the source

. A longer pre-delay time will make the audience feel closer to the source.

v. The High Frequency parameter simulates how much high-frequency reections are in the reverb.

. Simulating the sound of a room with many metal or glass surfaces is an example of a scenario

with more high-frequency reections.

. Simulating the sound of a room with soft word or outdoor settings would be an example of less

high-frequency reections.

vi. The Low frequency parameter simulates the amount of bass building in the reverb.

. An indoor, hard surface room will accumulate more bass build-up.

. An outdoor simulation would generate less bass build-up.

vii. The Level to Mix Parameter is the amount of wet signal (or signal with reverb) that is sent back to

your main mix.

. Increasing the level to mix will create a more prominent reverb effect.

. Decreasing the level to mix will create a more subtle reverb effect.

viii. To adjust any parameter, navigate to the parameter using the MAIN/MENU knob. Press the MAIN/

MENU knob to access.

. Adjust the values by turning the knob CLOCKWISE or COUNTER-CLOCKWISE.

. Press the MAIN/MENU knob to accept these changes. Press the BACK button to cancel these

changes.

c. Delay - The FX Processing Delay is designed to be a musically oriented delay, commonly used on rock and

ballad vocals and guitars. It is often set to match the specic “Beats Per Minute” (i.e. “BPM) of the song

currently being performed, plus how many delay returns are desired per beat, how long the delay keeps

returning and if the delay feeds back again multiple times.

i. “On/Off” When set to off, the Delay input is disabled. This allows the current signal to “ring out” until

the current delay signal is completed. To end the delay immediately, turn down the Delay Level to Mix

fader.

ii. “Reset” will set the Delay processing settings to default settings.

iii. “Presets” offers a quick selection of common settings for fast selection in typical use cases. These

delay settings are named as descriptions of the types of common musical uses they simulate. Presets

can assist new users wanting to try quick examples of often-used delay setting combinations. The

user can select “Custom” and adjust all the settings themselves. Or they can start with one of the

location description presets, listen, and then adjust any settings desired. When a user has selected

a preset and then adjusts a setting, all current delay settings are loaded into the Custom preset for

further editing.

. Custom

. Simple Quarters

. Simple Eights

. Simple Triples

. Simple 1:1

. Staggered Echo

. Bounce wall

. Fast Spring

iv. “Beats Per Minute” enters the beats per minute tempo of the song planned or in progress. The

speaker automatically calculates the delay times to match the beats per minute song tempo.

v. “SubDivision” enables the user to enter the number of times the delay returns the signal per beat. For

example, if this is set to “1:2” then for every beat there are two delay returns heard.

vi. “Delay Length” is the setting showing how long, represented in milliseconds (ms), the delays will

continue returning for each beat. The smaller the number, the faster the delay returned signal will fade

out per beat.

vii. “Feedback” is the amount of the delayed signal that is fed back into the Delay processor input, to

give more depth to the delay sounds.

viii. “Low Pass Filter” can be set to reduce the relative level of high frequencies of the delay returned

signal. If the user perceives bright high-frequency harshness resulting from very bright source signals,

4. dbx DriveRack Output is a line of hardware products produced by Harman’s dbx brand. These rack mount signal

processors provide detailed control for nal processing and crossovers before feeding the mix to one or more

speakers. This DriveRack functionality embedded into EON ONE MK2 is designed to optimize the combination of

speaker and Pass Thru outputs built into this JBL speaker.

a. AFS, or Automatic Feedback Suppression, is a combination of processing that can enable the user to add

up to 3 dB more total gain to their output before getting audio feedback back in through the mix inputs. dbx

AFS does this using a combination of auto-sensing and very tight width parametric EQs before the output

main EQ. Locked lters can be setup before an event as “xed” lters. Plus live AFS lters can be turned

on to continue chasing the latest feedback frequency risks during an event, such as changes caused by

handheld microphones moving positions and directions while on stage.

i. Stage setup best practices are always recommended for best results to avoid feedback,

in combination with the AFS processing system. Microphones have less chance of

contributing feedback if they follow the following position standards on stage:

. Microphones should be behind the front plane of the speakers.

. Microphones should be least two meters to the left or right of the speakers.

b. “AFS by dbx” On/Off selection toggles the AFS processor on or off.

c. “Live AFS” On/Off selection toggles the live AFS lters on or off. Live lters are best for catching feedback

on stage from microphones that are moving around the stage. Turning on “Live AFS” is the fastest, easiest

way to start using AFS processing.

d. “Reset Live Filters” will reset all live lters, prompting the lters to reset and start over in their discovery of

potential feedback frequency risks.

e. “Learn Fixed” starts the automatic discovery and setup of the Fixed AFS lters. While the microphones are

plugged in before the show and speakers are turned on, enable the “Learn Fixed” function. Then walk over

to the nearest mics and speak loudly into them to try to induce feedback. If no feedback is found, turn up

the main volume slowly until feedback rings and is suppressed by a xed AFS lter. Each time the speaker’s

AFS system notices feedback frequency it will automatically apply a xed lter at that frequency. Continue

speaking into the mics, including moving around the performer with handheld mics, speaking loudly into the

mics.

i. Turn off the “Live AFS” while operating the Learn Fixed setup.

ii. When all xed frequencies have been lled, the “Learn AFS” will automatically turn off and the Fixed

Filters are locked on for the event.

iii. If the user is unable to get all the xed AFS lters to complete frequency assignments, the user can

manually turn off “Learn AFS” by clicking the “Learn Fixed” setting again. Turning off “Learn AFS”

automatically leaves on the Fixed AFS On/Off setting.

iv. After completion of the Learned Fixed setup, turn on “Live AFS” for additional feedback suppression

during a live event.

f. “Remember Fixed on Reboot” Speakers are sometimes used in the same setup for extended times.

During this time speakers may be powered on and off multiple times. Turning on “Remember Fixed on

Reboot” sets the xed AFS lters to maintain their found frequency assignments on next speaker bootup.

In general, most users will leave this setting turned on, in case power is accidentally dropped in between

the soundcheck AFS Fixed lter setup and the event. Groups that move speakers to new locations often

may desire to set this feature off, as each location has different feedback challenges, which previous Fixed

lters would not assist.

5. The Main EQ is a package of lter adjustments on the main mix before the audio feeds to the amp and speaker.

It includes a collection of easy to select preset curves for common speech and music styles. Each preset can

also be loaded into the Custom preset for detailed user-adjustable of output parametric EQs. The user has

adjustments for individual band level, frequency, and width (“Q”).

a. “Main EQ” On/Off enables or bypasses the current settings in the Main EQ processor.

b. “Reset” selection resets the Main EQ to at, as the default Main EQ setting when shipped.

c. “Presets 8x” enables rotation of the Main/Menu knob to view and select from the Main EQ presets.

i. Scroll the menu to “Presets 8x” and press the MAIN/MENU knob.

ii. Rotate the MAIN/MENU knob to view the available presets.

iii. Click the MAIN/MENU knob to load the currently showing preset.

iv. Users can load the Custom preset, then double click the Main/Menu knob to open the Main EQ

editing page. Inside this graph display page, you may rotate the Main/Menu knob to a specic

parametric EQ number and click the Main/Menu knob again to select to edit the gain (plus or minus

in dB), lter frequency, or “Q” (i.e. adjust the lter width.)

. Users can load any preset as a starting point, then scroll down and adjust any setting to load

the current curve as the Custom preset for further editing. A conrmation dialog will

appear, warning the user that doing this will remove the current Custom preset

settings and load it with the currently viewed settings.

6. The Output Limiter provides a “brick wall” limiter on the main mix, after the Main EQ in the signal chain.

a. Limiters reduce the loudest parts of the mix dynamic range. Limiters can be used either for protection

when playing very loud source material, or to creatively sculpt down the loudest dynamics of the main mix.

Carefully turn up the Makeup Gain to compensate for low threshold limiter results.

b. “Reset” is an action command to reset the Output Limiter to the factory default setting.

c. “Presets” are available to recall limiter settings for common creative situations or trouble shooting.

i. If the user selects any of the lower three settings to edit, the preset automatically loads the lower

three settings to the Limiter “Custom” preset for further user editing.

d. “Threshold” enables the user to set the threshold level, limiting the maximum mix level to amp and

speakers. All dynamic range above that level will be limited down to the maximum Threshold setting.

e. “OverEasy” an Enabling “OverEasy” smooths the transition before the signal reaches the Threshold level

to provide a smooth limiting audio result. “OverEasy” is often selected on rock ballads or speaking panels.

Turning off OverEasy is often desired on harder rock or DJ style of music program.

f. “Makeup Gain” can be used to raise a limited mix to pre-limiter levels. Warning: Using limiter “Makeup

Gain” on already loud mixes may exceed desired mix gain levels. This setting is best used only by skilled

audio professionals. Small movements are best when adjusting limiters.

7. Pass Thru and Time Align - Thru XLR output can be set to assist in feeding the mix to additional speakers. This

section includes presets and settings based on the type of speaker the Pass Thru will be feeding and how it is

positioned in comparison to this speaker and the audience.

a. “Pass Thru” On/Off” enables or disables the Pass Thru XLR output feed.

b. “Presets” enables selection of three types of speakers combinations using the Pass Thru XLR output.

c. “Full Range” is designed for feeding another full range speaker. This feeds both this and the Pass Thru

XLR out to another speaker with the same full frequency range mix.

d. “Sub” preset automatically congures the below settings for isolating low frequencies and only feeding

them to Pass Thru XLR out for a subwoofer speaker. Selecting “Sub” automatically sets the internal amp/

speaker feed to HPF (“high pass lter”) only signal at above 80Hz and the Pass Thru XLR output to only

pass the mix signal below 80Hz.

e. “Custom” allows the user to set the lower settings manually.

f. “HPF on this Speaker” can be used to remove signal below a selected frequency to the built-in amp/

speaker and tweeter bar.

g. “LPF on Pass Thru Out”can be used to set the low pass lter on the Thru Out XLR output feed.

8. Time Align

a. Signal delays are used when multiple speakers are in use but speakers are at different distances from the

audience.

b. Examples:

i. A subwoofer in front of the stage, while this full-range speaker is on the stage. In this conguration,

the Pass Thru XLR to subwoofer will need to be slightly delayed to make up for its closer position to

the audience.

ii. The Array bar extender option is used to mount the speaker bar in a off-speaker location at a slightly

different distance to the audience. In this case, delay the device closest to the audience to align with

the device farthest from the audience.

iii. The Pass Thru XLR out is feeding an additional full-range speaker placed half-way back in the

audience to give additional listening distance. In this case, delay the back ll speaker in the audience

to compensate correct time alignment.

c. Time Alignment Basics:

i. To compensate for different distances’, determine the speaker farthest from the audience and delay

other speakers with the same signal to “time align” with the speaker farthest away from the audience.

ii. Sound travels through air at average humidity and room temperature at about 1.1 feet per ms (3ms

per 1m). Measure the difference in distance of each speaker feeding the audience. Feed the speaker

farthest from the audience with no time alignment delay. Set delays for the other closer speakers

based on their distance ahead of the farthest back speaker. Measure the distance difference and

vi. To access the channel EQ settings, rotate the MAIN/MENU knob to the INPUT EQ eld and PRESS

the MAIN/MENU knob.

d. The FX Send section accesses the sends to each respective effect. All FX sends are “post fader level,” so

when a user adjusts the channel fader, the same relative level or mute is reected on the channel FX send.

i. To access, navigate to the FX Send section and Press the MAIN/MENU knob.

ii. Navigate to the effect send you wish to change and press the MAIN/MENU knob.

. A clockwise turn will increase the effect send.

. A counter-clockwise turn will decrease the effect send.

. Press MAIN/MENU to save your edits.

. Press BACK to cancel your edits.

Settings

1. “BT Audio Pairing” enables Bluetooth audio pairing for up to 30 seconds. This setting turns off when a pairing

has been made, or after 30 seconds.

2. “BT Control Pairing” resets Bluetooth control pairing for up to 30 seconds with the JBL Pro Connect app. This

turns off when a pairing has been made, or after 30 seconds.

3. When activating BT pairing, a pairing window will pop-up indicating BT Pairing has been initiated. Once

successfully paired, this window will disappear.

4. “LCD Contrast” allows the user to adjust the LCD contrast between 0 and 100%.

5. “Firmware Version” shows the current rmware version loaded onto the speaker.

6. “Factory Reset” resets all settings in the speaker to factory default, including Bluetooth communication pairing.

7. To help prolong the life of your battery and conform with ErP regulatory guidelines, the EON ONE MK2 comes

equipped with an auto-sleep feature that operates when the unit is on battery.

a. to enable/disable, press MAIN/MENU on the ERP eld and toggle ON/OFF.

8. SLEEP denes how long it takes until your EON ONE MK2 goes into sleep mode when no audio is detected.

JBL Pro Connect

The JBL Pro Connect app is a Bluetooth Low Energy control application used to remotely control the features within the EON

ONE MK2. The app is a free download on iOS and Android.

It is recommended that all users download the app and ensure their unit is operating on the latest firmware for the

best experience.

To charge your battery, remove the column with the battery indicator from the woofer and place it into the woofer hook up.

Power LED will light GREEN, indicating the battery is charging.

For Battery level, please refer to the battery icon on the LCD or the battery icon on the JBL Pro Connect App.

APP

BATTERY SPECS

Cell Model Nominal Voltage Wh Recommended Operating Temp

INR18650-MH1 36V 97.2Wh 15~35°C

QR CODE

TO APP PAGE

TO COME

Produktspecifikationer

Varumärke:	JBL
Kategori:	hi-fi system
Modell:	EON ONE MK2

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